REMI / Broadcast
You're Not Filling a Chair.
You're Covering the Show.
Freelance broadcast engineer, technical director, A1/A2, and graphics operator for REMI and live broadcasts. Available remotely from a dedicated control position or on site.
Networks my work has aired on
Positions I fill
Each of these positions has been worked on air. For smaller crews, two can be combined into a single booking.
Broadcast Engineer
Signal flow, comms, and backup paths
- SRT and LiveU contribution paths built and verified
- Comms and IFB between venue and control room
- Dante / AES67 audio routing
- Redundant paths on every contribution feed
Backup paths are built and tested before air.
Book this chairTechnical Director / Video
Switching the show
- Multi-camera switching in vMix
- Transitions and packaged elements
- Program and stream outputs to spec
- From your control room or a dedicated remote position
Self-directed on small crews, or under a director on larger productions.
Book this chairA1 / A2 Broadcast Audio
Mixing program audio for air
- Announcer, nat sound, and effects mix
- Venue audio pickup and feed management
- Comms and IFB mixes for talent and producers
- DiGiCo, Behringer Wing / X32, Allen & Heath
Also available on site as A2 on larger productions.
Book this chairGraphics Operator
Scores, lower thirds, sponsor elements
- Ross XPression and vMix graphics
- Live scoring
- Sponsor rotation and packaged bumps
- Template builds and sponsor packages
Templates are built and approved before show day.
Book this chairHow a REMI show works
REMI (Remote Integration Model) is how much of sports television is produced today. Cameras, microphones, and announcers stay at the venue. The control room is elsewhere, connected by bonded cellular and SRT. I work these shows from a control room, often hundreds of miles from the field. Much of the job is preparation: building comms, verifying every path, and testing the backups before air.
Questions I get
Do you work remotely or on site?
Both. Most REMI positions are worked from a control room away from the venue. When a production needs someone in the truck or on site, I travel.
How do you bill?
Day rate per show. Prep days are quoted separately when a build is required. Series rates are available for multi-show runs.
Can you cover more than one position on a small show?
Yes. Engineer plus TD, or TD plus graphics, are common pairings. Send the show format and I'll confirm what's realistic for a single operator.
Do you have your own kit?
Yes. A vMix control position and broadcast audio package that can travel to a show or operate from a dedicated remote room. On larger productions, I work within your existing control room.
Check Availability
Fastest is a call: (727) 223-1237. Or email hello@mattheweasterday.com. The form below goes to the same inbox.
What happens next
- Send the detailsDate, venue, and what's happening.
- Short callWe go over what the show needs.
- Written quoteScope and price, in writing.